2019-06-14

On Television


Definitions:

1 A system for converting visual images (with sound) into electrical signals, transmitting them by radio or other means, and displaying them electronically on a screen.

2 A device with a screen for receiving television signals.


Television (TV), sometimes shortened to tele or telly, is a telecommunication medium used for transmitting moving images in monochrome (black and white), or in color, and in two or three dimensions and sound. The term can refer to a television set, a television program ("TV show"), or the medium of television transmission. Television is a mass medium for advertising, entertainment and news.


That is the classic and technical definition of television when it was first introduced, the technology to broadcast video in the way that radio was broadcast and the receiver (television set) to view the video on.

I was three years old in Sudbury when television was first available to the city.

CKSO Television History


The station was launched on October 25, 1953 by Sudbury businessmen George Miller, Jim Cooper and Bill Plaunt.[1] It was the first privately owned television station to launch in Canada, and only the fourth television station overall after CBC Television's owned and operated stations in Toronto, Montreal and Ottawa. Its original call sign was CKSO-TV. The station was a CBC affiliate, receiving programs by kinescope until a microwave relay system linked the station to Toronto in 1956. The station originally broadcast only from 7 to 11 p.m., but by the end of its first year in operation it was on the air from 3:30 p.m. to midnight.[2]

Source: Wikipedia https://en.wikipedia.org/wiki/CICI-TV (Redirected from CKSO-TV)

Although it was a few or several years before TV ownership became widespread enough that we had one I was old enough to remember first getting television. I guess one could call it our generation's “screen time” although we were not nearly as enamoured with it as people seem to be with “screens” these days. It was something that amused us when we were finished our homework and it was too dark to go out and play or early weekend mornings before we went to meet our friends. But overall we would much rather be out with our friends playing in the rocks along the creek or rail line near the slag dump, tossing rocks and watching the quicksand suck them up. Yes play at that time was not adult organized competitive activities but a time to use our imagination and learn to be independent.

At that time we had one channel which carried the CBC and eventually we got a CTV station. The next big thing was something called CATV or Community Antenna Television. This was the first iteration of cable television or Cable TV. A large antenna picked up the signals of the American networks that previously only southern Ontario could receive and they were distributed via coax cable to individual homes. This was the first version of Cable, no specialized or cable only channels just broadcast channels, from further distances and often a clearer signal than broadcast TV depending on where you lived.

At this point we essentially are still within the original definition of television which ties together the broadcast technology and the television set.

The next technological change started to change that. The introduction of the VCR meant one could watch content on a television set that did not originate with a TV broadcaster, mainly commercial movies and home movies shot on videotape. VCRs were later supplanted by DVD and Blu-ray players.

The cable companies that had been re-transmitting over-the-air (OTA) broadcast TV signals were beginning to receive these signals via microwave and satellite around the same time as competitors began transmitting TV packages similar to cable TV via satellite direct to the home.

This led to the next innovation and the elimination of the necessary link between TV broadcasters and television sets. Television sets no longer required an over-the-air signal to provide content to their owners as cable/satellite TV only channels started providing programming without any OTA broadcast facilities, their signals being delivered by cable/satellite TV providers.

Most TV watchers in urban centres now received their TV from cable (and in some cases satellite) TV providers without any outdoor antenna or infamous rabbit ears being used. Without the limitations of broadcast frequencies TV providers could provide unlimited numbers of cable only channels. These channels started out with higher quality content and without advertising to distinguish them from the free broadcast channels but soon they changed to channels full of reruns and cheaply produced “reality” TV with advertising. “Premium” channels without advertising and with higher quality content were then introduced at even higher prices. Of course, with control of the distribution of channels they could ensure subscribers paid for their channels that produced profits for them by including them in the packages people have to buy to get the channels they actually want.

At this point we have gone from free over-the-air television to fee for cable TV to cable TV with almost unlimited channels and unlimited price points for service and it appears unlimited room for customer dissatisfaction particularly in the United States and Canada.

The thing about paying more for a higher tier of cable television is that you are not actually paying to watch more television, just for more choice, most of which you are not interested in.

And then came “streaming”.

Streaming television (streaming TV or internet television) is the digital distribution of television content, such as TV shows, as streaming video delivered over the Internet. Streaming TV stands in contrast to dedicated terrestrial television delivered by over-the-air aerial systems, cable television, and/or satellite television systems.


With the Internet, companies and individuals could provide content to anyone with Internet access without having to build their own distribution network. You no longer needed to be a huge corporation with mega-millions of dollars of infrastructure to be in the TV business. Even individuals could distribute content via websites and later via YouTube and other similar online video platforms, and then came Netflix followed by a series of other streaming services and everything started to change

But first let's step away from talking about television distribution technology and look at the other half of the technology equation, what we used to call “television sets” now more often just called screens.

The first TV I personally owned was a 17” black and white portable TV I brought with me to Ottawa when I started working for the Library of Parliament. I spent more time listening to CBC radio than I did watching TV at that time. I believe about 50% of what I learned about the world in those days I learned from CBC Radio.

In the early days a 20 inch TV was a large screen TV. The largest conventional analog cathode-ray tube (CRT) TV we owned before making the big jump to a flat screen liquid-crystal display/LED-backlit LCD TV was a 36 inch huge and heavy television set.

Nowadays such TVs have gone the way of the dinosaurs. There are only two acceptable ways to watch TV, either on a 60 inch plus wide screen TV or on a two to three inch smartphone screen.

Your big screen TV is no longer just a television set but part of a home theatre system often with surround sound and of course comfy chairs.

We do have to admit we noticed a huge difference in picture quality when moving from analog TV on a CRT to high-definition digital TV on an LED/LCD TV. However we do not notice a large difference between different levels of HD, and when downloading content we often download the lower HD file because of size and time considerations. We also notice a large improvement in picture quality on old SD content compared to our old CRT screen TV. I personally do not understand the need for ultra-high-definition television, except to get people to upgrade to new 4K (or 8K) sets.

This all comes as part of a trend of people spending much more of their time at home for entertainment rather than going to concerts, theatre or movies, often called cocooning.

And part of this, of course, is the dominance of television as it has become in the “million channel universe”. So we return to our discussion of how television programs as we know them are distributed.

The problem with the proliferation of choice from the conventional providers' multiple tiers of cable television with increasing prices per tier, coupled with the addition of multiple streaming sources all with their own price points, is that you are not actually paying to watch more television, just for more choice, most of which you are not interested in.

Indeed we found ourselves in that situation. After upgrading to a higher tier to get a channel we wanted that was only available in that tier we decided we were paying for too many channels we did not watch. We cut back to the lowest tier available and to CRTC-mandated Skinny Basic Cable TV as soon as it was available. We later supplemented that with some carefully chosen theme packs that included they types of programming we wanted, primarily scripted drama as well as history and science programming. While many people criticized the CRTC's skinny basic cable requirement it certainly improved the value for money we were able to get from our cable TV provider.

We also had Netflix and we later added Crave/HBO Canada to our Cable package. We supplement that with free sources of programming available online. We are paying a total of about $100 for television programming, a considerable increase from the $00 for free over-the-air TV when it was first introduced.

However some people are going a different route, using traditional torrents to get programming at no cost or unauthorized free streaming sites often along with the use of VPNs.

Free TV' Android boxes finding their way into many Canadian households, study says


The devices come pre-loaded with software that makes it easy to pirate movies and shows, says expert


Forget illegal downloading; many Canadians are getting hooked on unauthorized streaming, according to a new study. This emerging type of piracy often involves a simple box running an Android operating system that's loaded with special software.

Connect it to your TV, and you can easily stream a vast selection of pirated movies and TV shows —even live television, including sports.

Dealers sell the boxes for a one-time fee, typically around $100, with the promise of "free TV."

 
People do this often in reaction to what they consider to be a broken system where watching everything they want requires subscribing to multiple channels or services just to get the shows they want while paying for access to shows they do not want to watch. But of course this alternative is unsustainable for everyone as nobody would be paying for the production of content.

Where do we go from here. We have to acknowledge the system is broken to a large degree because the major players in content production and distribution have huge investments in what is now essentially obsolete technology – the broadcast and cable distribution system, at least as far as most of what people want to watch.

What still dominates the television system (perhaps not for long) is scheduled programming on set channels pushed at the consumers rather than programming consumers watch when they want to. And because for some reason these channels must broadcast 24 hours a day the majority of programming is repeats or multiple variations on shows about flipping houses, visiting pawn shops, how to do home projects you are not working on at the moment, housewives of every city on the planet, etc. etc.. Of course every channel has a few worthwhile programs and even some very good ones, but never enough for 24 hours a week, 7 days a week and certainly not possible to have the programs on when it is convenient for everyone that wants to watch them to do so.

Television providers try to get around this failing of push technology by providing DVRs/PVRs or On Demand services but that is just a work around for a failed concept.

Consumers have the Internet . When they are looking for information they are used to going to the Internet and finding what they want when they want it. They are now expecting to be able to access their entertainment as easily and simply as they access information.

But let us take a step sideways and consider whether there is still a role for traditional scheduled TV that you have to watch when the distributor makes it available, and the answer is yes.

Originally TV was broadcast live and some things are still best when watched live. I am thinking of sports and breaking news in particular but live broadcasts of cultural events such as concerts and theatre would fall in that category as well. Nobody wants to watch old news so there will always be a place for cable news channels (although the might be broadcast via the Internet) and most people prefer to watch sporting events as they happen since knowing the result beforehand compromises (to put it lightly) the experience.

But for scripted drama programs, movies and documentaries people prefer to be able to watch when they have time. Even reality TV, for those fans of pawn shops, real estate flipping, watching other people cook or yell at aspiring restaurateurs, and overly dramatized dating shows, is more conveniently watched at the viewers choice of time.

For television series, in the old days of only network broadcast TV, you watched them when they were on. If you heard about a show from someone you had to start watching it mid season. Today's viewers want to watch series from the beginning of the series and even Cable TV On Demand services rarely allow for that, having only the current season available at most.

Streaming services are best suited to provide television to viewers in the manner they wish to consume it. But consumers, who are leaving traditional TV because they have to subscribe to TV packages and channels that include mostly programming they do not want to watch to get what they want, are faced with the same dilemma with streaming services, having to subscribe to multiple services to get all the programs they want and pay for access to programs they do not want.

So is there a solution. We have the technology. Having the will to make it happen is the issue.

The first thing I would like to see happen, in the Internet age of international access to information, is getting rid of regional distribution rights, in fact get rid of exclusive distribution rights altogether.

We have the technology for streaming services to know how many times an individual has streamed a particular episode or film, in effect how many products they have sold to each customer. Just like manufacturers do not restrict the sale of their products to exclusive retailers (perhaps with some exceptions) neither should content producers.

All streaming services should be able to provide all content to all customers with regulations in place to prevent price gouging of both the streaming service by the content producer and the viewing customer by the streaming service.

Streaming services would then compete by their interface, how customer friendly it is, and their pricing structure. Customers should be able to just purchase individual movies or TV series at a reasonable price and have access to whatever type of packages the streaming companies wish to offer in competition with each other.

The answer is simple but realistically, without a complete rejection of the system with everyone abandoning paid TV service for piracy, the powers to be are likely to settle for small incremental changes with eventually multiple streaming services replacing Cable TV as the dominant source of programming.

As incremental changes go, one thing I would like to see happen is a co-operative established among public broadcasters to share their productions internationally.

The role of public broadcasters is to tell their peoples' stories as well as to inform their people about the world. But it is not only their own people they should want to reach but the rest of the world as well. One way they can do that is by making content freely available on the Internet and the other is by making it available, as part of o co-operative effort with other public broadcasters to share programming with their viewers. That one effort by itself would make large amounts of high quality content available freely to viewers.

And what does The Fifth Column watch.

We are certainly not part of the cult of folks who seem to hate everything Canadian, particularly Canadian music, movies and television. It seems to be a matter of pride for them to hate all things Canadian. Many of these are the people Trump would welcome into his country with open arms and since they seem to worship the USA I am uncertain why they are still here.

Probably about half of what we watch is Canadian, primarily CBC, followed by British, particularly BBC, and other foreign shows, including some very good Americana cable network shows. We find most American broadcast network shows to be formulaic and uninteresting, but there are some notable exceptions.

1 comment:

Lorraine said...

Your preferred mode of distribution appears to be a TV version of a jukebox, basically metered consumption paid on a per-use basis. Also equivalent to what many refer to as "microtransactions" for purchases of content and/or services online. I've often referred to microtransactions as akin to nuclear fusion; one of those technologies that's been 5 years away for the last 30 years. I don't know how technologically feasible or infeasible micropayments are. The thing about any streaming service being able to stream any content does seem to require a sort of monopoly, some kind of intellectual property clearinghouse (of which there can only be one?). I don't know who handles that for jukeboxes, maybe ASCAP or something like it? I assume ASCAP operates somewhat monopolistically. Sometimes monopolies are benevolent, and sometimes are the best option, but of course only on a short leash.