Showing posts with label film photography. Show all posts
Showing posts with label film photography. Show all posts

2023-12-04

Franzis Black and White Projects Professional 6 Photo Film Emulation Versions

This is a demonstration of the film emulation capabilities of Franzis Black & White Projects. I cannot vouch for the accuracy of the emulation provided by this software but it is indeed an interesting idea. I have not included all the options available but have selected a few film types from the brands I am familiar with. You will see that in many cases the differences are subtle but others are noticeably different.

I have selected a base setting in Franzis Black and White Projects of Natural Maximum Details and Optimization Natural with various film emulations.  Since infra red film does not seem to be included in the choices I have also included a variation with Landscape Infrared setting, as well as an optimized colour version (I don’t recall the software I used for that) just for comparison.

Original From Camera (Panasonic Lumix TS5) 

 Optimized Colour Version

 

Franzis Black and White Projects Versions

 Digital Negative

 

Agfa APX25

 

 Agfa APX 100

 

Agfa APX Pan 400

 

Fuji Neopan Acros 100

 

 Fuji Neopan 400

 Fuji Neopan Neopan 1600

 

 
Ilford Delta 100

 

Ilford Delta 400

 

Ilford Delta 3200

 

Kodak T-Max 100

 

Kodak T-Max 400

 

Kodak T-Max 3200

 

Landscape Infared

 

2023-11-05

All Photography is “Photoshopped”

A pretty bold claim but what do I mean by it. Well I do not mean “photoshopped” in the sense of someone going through their photo collection post divorce and removing their ex-spouse from all their family photographs. I mean something more subtle than that.

The appearance of every photograph is the direct result of decisions taken by the photographer starting even before the photo is taken and finishing with film or digital processing.

With film photography it starts with the choice of the film and even the choice of the camera. Different films have distinct differences to the point that some modern digital editing software has options to emulate different types of film.

And then there are the camera settings. My 35 mm film camera allowed me to change the film speed or depth of field for different circumstances or different effects. As well, different coloured (or other) filters can be placed over the lens to change the appearance of the photo. That cool flowing water effect on waterfalls is the direct result of the settings chosen by the photographer.

Modern digital cameras have even more control over setting with different type of exposure zone settings, white balance and specialized settings for close-ups, moving objects, night or indoor photography and on and on.

Of course most people think of post capture editing when referring to “photoshopping” even though a lot of photographer decisions before that stage affect the appearance of the photo.

There are a lot of reasons besides deception to use photo editing software to change or enhance a photograph.

A major reason to use photo editing software is to make photos appear more like what the photographer actually saw. Others include enhancing a photo taken on a dull day to look like a photo taken on a bright day, or to remove distracting elements like power lines that are not the main focus of the photograph.

The filters a film photographer might place over the lens when taking a photo can be applied afterwards in the “digital darkroom”. Doing it after talking the photo allows for a lot more experimentation to see what creates the best result. There are even filters designed to make a photograph look like a painting or drawing. Photo editing extends into the photographer/artist’s own sense of creativity.

When I first started into serious amateur photography I was very much a realist, the photo should be what you saw and not enhanced. Indeed I was even criticized for taking too many “record shots” rather than doing more creative photography. I would have described my philosophy of photography as one that believed that composition was 90% of photography – it is to capture what is there. After getting into digital photography I have gradually changed to seeing it as more of a creative process where the editing process afterwards is almost as important as taking the photo. Now i would say that composition is 75% of photography.

This is all to say that a photograph should not just be what was there but also what the photographer saw with both their eyes and their minds.

For some examples of how photo editing can provide different visions of the same original subject see PhotoVersions Created with Franzis Color Projects and Photo Versions Created with Franzis Black & White Projects.